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1. #Thief 1981 release date movie
2. #Thief 1981 release date pro
3. #Thief 1981 release date code
4. #Thief 1981 release date tv

He literally slices a new doorway through a formidable, sophisticated steel vault.įrank's ultra-materialistic plan is to make up for his lost years by rushing directly to a lavish lifestyle. In one fairly amazing (and authentic) scene, Frank uses a specially formulated metallic 'burning bar' that generates thousands of degrees of heat. Following the theory that any safeguard man can devise, can be defeated by men, Frank and Barry expertly neutralize multiple alarm systems and cut through parts of buildings to reach high-security diamond vaults. At least half of the film is devoted to wordless heist scenes a la the classic Rififi. Despite boasting a highly expressive visual (and aural) surface, Thief is a much grittier and complex construction.

#Thief 1981 release date tv

Michael Mann would soon move on to his TV show Miami Vice, a glitzy style & fashion- oriented fantasy about unorthodox cops in Miami its signature image of sleek cars speeding to new pop songs, with neon signs reflecting in their paint jobs, was a major image for excess in the '80s. Herself an abused loser, Jessie is touched by Frank's blunt, impassioned offer. To this end Frank all but batters diner cashier Jessie (Tuesday Weld) into listening to his crude but heartfelt marriage proposal - she'll fit perfectly into his planned picture of the perfect future. Having spent most of his adult life in prison, Frank see's Leo's offer as a short cut to his dream of success - money, a loving wife and child, and the company of his 'adopted' father from prison, old-timer Okla (Willie Nelson), the man who taught him his criminal trade. Impressed with Frank's near-magical ability to cut his way into any safe in existence, Leo offers him an attractive deal - a high fee to bust into another jeweler's safe, with all the research work done in advance. Mob boss Leo (Robert Prosky) returns Frank's money. When Frank's fence dies owing him $185,000, Frank presses his attentions on the organized crime outfit likely responsible for the killing. Frank (James Caan) and his assistant Barry (James Belushi) use a special 200-pound electric drill to cut into a safe holding a fortune in diamonds. Mann's script alternates between dialogue-free images of thieves at work, and intense passages in which the leading character bulls his way through social and personal obstacles, in search of his dream of wealth and security. It's surely one of the best films of its macho star James Caan.

#Thief 1981 release date movie

Filmed in glossy color on the winter streets of Chicago, the movie wastes not a single superfluous shot in its mission to flesh out the existence of a hard-bitten but ambitious ex-con, and his spectacularly professional, technically impressive robberies.

#Thief 1981 release date pro

Its story of a pro safecracker pared down to essentials is unafraid to portray the less savory aspects of criminal life. Michael Mann's startling debut film Thief (1981) is like a beacon pointing to the future. No longer restrained by de facto censorship, these men established new trends in docu realism and trendy stylization. By the late seventies the reigning kings of this kind of picture were William Friedkin, Walter Hill and newcomer Michael Mann. One thinks of Phil Karlson's nearly sublime The Brothers Rico (1957), whose appalling vision of organized crime is marred by a pasted-on happy ending.

#Thief 1981 release date code

The Production Code discouraged realistic portrayals of the endemic corruption in law enforcement and the justice system, but these filmmakers frequently slipped through vivid impressions of the bleakness and cruelty of the criminal lifestyle.

Back in the 1950s Hollywood had several directors that elevated the crime thriller: Phil Karlson, Budd Boetticher, Don Siegel, Jacques Tourneur.